104 (another example illustrated in color). Barricklow, The Face, London, November 1990, p. 72 (another example illustrated in color).ĭ. Plagens, 'MoMA Takes the Low Road,' Newsweek, October 1990, p. 165 (another example illustrated in color). Jenkins, 'Kirk Varnedoe: High, Low, Hot and Cool,' ARTnews, vol. 339 (another example illustrated in color).

Kazanjian, “Koons Crazy,” Vogue, August 1990, p. Hall, 'Neo-Geo's Bachelor Artists' Art International, Winter 1989 (another example illustrated on the cover).ĭ. 38 (another example illustrated in color). Compton, “Pop Art II – Jeff Koons & Co.,” Art & Design, July 1989, p. 43 (another example illustrated in color). 11 (another example illustrated in color). Westenholm, “Scharlatan und Super-Star: Jeff Koons,” Pan, February 1989, p.

Hanson, 'Art Works: Highbrow, High-Priced Tchotchkes' Chicago, February 1989, pp. Cox, “Feeling Victimized? Then Strike Back: Become an Artist,” The Wall Street Journal, February 1989 (another example illustrated). New York in View, Ashley Bickerton, Jeff Koons, Allan McCollum, Haim Steinbach, Meyer Vaisman, exh. 137 (another example illustrated in color). 112 and 117 (another example illustrated in color). Galeries Magazine, France, June-July 1988, pp. 171 (another example illustrated in color). Smith, 'Rituals of Consumption,' Art in America, May 1988, p. 108 (another example illustrated in color). Sandford, “Kunstler, Sammler, Sensationen,” New York, May 1988, p. 27 (another example illustrated in color). Saltz, 'The Dark Side of the Rabbit: Notes on a Sculpture by Jeff Koons,' Arts Magazine, February 1988, p. 76 (English version another example illustrated in color). 44 (Italian version another example illustrated in color) p. Politi, “Jeff Koons,” Flash Art, February-March 1987, p. Schwartzman, “The Yippie-Yuppie Artist,” Manhattan Inc., December 1987, p.

55 (another example illustrated in color).Ī. Cooke, 'Object Lessons: Just What Is It About Today's Sculpture.?,' Artscribe, no. Wiener, “Sites and Sights: Considerations on Walter de Maria, Jeff Koons, and Tom Butter,” Arts Magazine, March 1987 (another example illustrated). 90 (another example illustrated in color). Kleyn, “Nuovi Concetti,” January, 1987, p. Larson, “Masters of Hype,” New York, November 1986, p. Wallach, “The New Art is SoHo Cool,” Newsday, October 1986, (another example illustrated in color).

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